Bernt Hugenholtz (IVIR), Kluwer Copyright Blog 14-4-2016: "The European Commission keeps sending us surprises. After December’s Communication on Modernizing Copyright, which contained a mixed bag of copyright goodies, we had expected just about anything but the announcement that followed on March 23rd. The European Commission has launched a public open consultation on ‘the possible extension’ of neighbouring rights to publishers. As we all know, neighbouring (or related) rights at EU level are currently confined to four categories: performing artists, phonogram producers, broadcasters and film producers. Apparently, someone has convinced the Commission that extending this regime to publishers might be a good idea.
In my opinion, it is not. Whereas the case for neighbouring rights for performers has always been strong, since performing artists are excluded from the domain of authors’ rights even though performing a work of authorship is usually a creative act, the same has never been true for the other three categories of neighbouring right holders. The main argument here is that such rights ‘incentivize’ and reward investment in producing phonograms (i.e. sound recordings), broadcasts or films, but the economics of this rationale remain largely unproven. And now that digital technologies have reduced the costs of sound recording, broadcasting and video production by several orders of magnitude, the arguments for ‘Leistungsschutz’ are even less convincing. In fact, the best argument one can make for giving these industries their own IP rights is, here too, the absence of copyright protection. But this argument is very weak in light of actual contractual practices in these sectors.
[...]
Would a general neighbouring right for publishers, analogous to the existing right of phonogram producers, help the news publishing industry in its battle against Google? I suspect it will not. The neighbouring rights that presently exist at EU level do not provide for a right to prohibit aggregation, so any ‘extension’ as envisaged by the EC’s consultation would not do much for the news industry. Most likely, extending neighbouring rights to the publishing sector would just lead to another, unnecessary layer of rights, in a digital market place already overgrown by rights."
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In my opinion, it is not. Whereas the case for neighbouring rights for performers has always been strong, since performing artists are excluded from the domain of authors’ rights even though performing a work of authorship is usually a creative act, the same has never been true for the other three categories of neighbouring right holders. The main argument here is that such rights ‘incentivize’ and reward investment in producing phonograms (i.e. sound recordings), broadcasts or films, but the economics of this rationale remain largely unproven. And now that digital technologies have reduced the costs of sound recording, broadcasting and video production by several orders of magnitude, the arguments for ‘Leistungsschutz’ are even less convincing. In fact, the best argument one can make for giving these industries their own IP rights is, here too, the absence of copyright protection. But this argument is very weak in light of actual contractual practices in these sectors.
[...]
Would a general neighbouring right for publishers, analogous to the existing right of phonogram producers, help the news publishing industry in its battle against Google? I suspect it will not. The neighbouring rights that presently exist at EU level do not provide for a right to prohibit aggregation, so any ‘extension’ as envisaged by the EC’s consultation would not do much for the news industry. Most likely, extending neighbouring rights to the publishing sector would just lead to another, unnecessary layer of rights, in a digital market place already overgrown by rights."
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